Writing advice, book reviews, and more from the author of
Writing advice, book reviews, and more from the author of
Wednesday, April 10, 2013
Spine poetry
Take a stack of books, and arrange them into a poem. Here is mine:
The History of Making Books
As the earth begins to end,
What have you lost?
Words under the words,
The art of fact, and one amazing thing.
Hooked on time and materials,
The night parade came passing through.
How do you see yourself under the veil?
The best of it, bird by bird,
lies on the road.
Kiss me goodnight, Pablo Neruda.
Monday, April 1, 2013
Why is the Big Bang Theory important for Novelists?
My name is
Laura M and I am addicted to the Big Bang Theory, or as we seasoned viewers
call it: TBBT.I have seen every episode more than once, yet I laugh at the same
lines every time. It’s a sickness. Or is
it?
Some of my non=addicted
friends have criticized the show as stereotypically portraying the quartet of
guys as nerds, with Penny representing the token "normal” person. But it’s
comedy; it’s supposed to be exaggerated. One of the elements of comedy writing
is exaggeration. And Penny is not “normal”. Nobody, from Sheldon and Leonard’s
moms or Will Wheaton, and even Stan Lee, gets off that show Scott-free. The
characters on TBBT represent human foibles common to most of us.
Okay, at this
point, if you are still reading this post, you may be asking, WTF does a silly sitcom
have to do with writing a novel? TBBT is
about character, and writers take a full blown character, and mix him or her
with another character or situation, place them in peril, and they react. In
the case of TBBT, the reaction is funny. Comedy writers take our human
frailties and spin them to make comedic magic.
This show has
earned its huge success from exemplary writing. After six seasons, (and renewed
for a seventh!) the characters, situations and dialogue are still fresh. Like a
novel, more than one character’s story is fully developed, and the audience
finds surprises throughout the journey. TV, theatre and film are collaborative
efforts, and it takes actors, set designers, and directors to produce it, but
the story begins (and thrives) with the writing.
In all tales,
the audience needs to fall in love with at least one character a little. Even
the bad guy. (Who doesn’t love a good villain? Without Beatty, Montag’s quest
in Fahrenheit 451 would be beige. And who can’t love a conflicted
character like Frankenstein, who is both protagonist and antagonist? When
we engage in stories, we hold up a mirror, and someone we know well is one (or
more) of those characters. We watch TBBT
to laugh at ourselves and our friends.
Like Sheldon,
I like to sit in the same spot on my couch, and tend to gravitate to the same
restaurants where I order the same things from the menu. As I write this I am
munching on lunch at a local deli where the staff knows my nakme.) I don’t wear
‘bus pants’, but I am cognizant of where I sit in public; I prefer seats that
can be wiped down to upholstered ones. You never know what is on the seat of
anyone’s pants.
I wipe
silverware down with the napkin in restaurants (trust me, I have worked in restaurants;
you WANT to do this), and I over-sanitize my hands, likely eradicating any
resistance to disease. While I do not
obsess over scientific formulas, I obsess over words. It can take me days
before I am satisfied with a sentence or a line of poetry, (and still, it will
never be right.)
Like Leonard
I over think things, and often say the wrong thing at the wrong time. Can’t let it go. I blame my dad. My father was
literal, much like Leonard’s mother. He said what he thought when he thought it,
because it was without malice., If my mother or one of us kids did something
like pull a sixteen pound turkey out of the oven and drop it on the floor, he’d
glance up from behind his newspaper, and say, “Why’d you do that?”
Some of his
favorite expressions, said without malice, were , “Have you always been stupid?”
and “People have the right to be stupid, but they also need to know when
they are being so.” So yeah, I have some
Leonard in me.
I’m a little like
Raj, too; I don't like spiders and Indian food, either. My family spent three
years on the Indian subcontinent, where, “it’s so hot!”, and I never developed
a taste for curry or cardamom. I do like Bollywood movies, though. (I am
listening to Indian music in my headphones as I write this.)
And then there’s
Howard. Hmmm. No, I’m not like Howard. I don't think there is anyone
like Howard. But Bernadette loves him. And so do I.
.I worked as
a snarky waitress for awhile. Also like Penny my house often looks like it was
recently burglarized, and I have dated a succession of Mr. Wrongs. I’d like to
say I am hot like Penny, but that was many, many moons ago. Now I’m tepid. I’m
more like a less smart version of Amy Farah Fowler without the sweaters.
But this isn't
about me. It's about all of us, and how each of us finds ourselves inside a fictitious
character. I will agree that on the
surface each character fulfills a broad stereotype; the guys have advanced
degrees and love gaming, and Penny, a junior college dropout, is a shoe
obsessed dreamer. But under the layers, each of these people is unique and
interesting, just as good characters (and real people) are.
That’s MY
story and I’m sticking to it.
Happy Writing.