Showing posts with label book reviews. Show all posts
Showing posts with label book reviews. Show all posts

Sunday, September 8, 2019

Character Accuses Author of Bad Storytelling





My protagonist, Michael “Neruda” Flynn, is upset with me. He saunters in as I’m working on my next work in progress and pounds on my desk. “How badly did you tell my story in THE LANGUAGE OF THE SON?”

I look up. “What do you mean?”

He throws his hands in the air. “You sold a bunch of copies, but nobody is reviewing it!”.

“Oh. That.” I take a sip of tea. “Maybe people are afraid of hurting my feelings if they hated it.”

He scoffs. “You have no feelings! Writers are soulless creatures who devise more ways to torture poor, innocent characters like me.”

I squint at him. “Have you been reading my browsing history?”

He crosses his arms and slumps back in his chair. “No, but I survived all the knives and arrows you flung at me in a three-book series.”

“Yeah, sorry about that, but readers want you to suffer. Otherwise there’s no story.”

“But why must I suffer so much?”

I shrug. “You don't think  I suffered too as I was writing your tale? All those endless revisions and scenes to make the story work!”

He points a finger at me. “Just you wait. I’ll write my own story and base a character on you. I’ll send her into a field of dragons and snakes, and believe me, it won’t be pretty.”

“I guess turnabout is fair play.” I take another taste of my tea and raise my fingers above my keyboard. “Now can I get back to my next novel?”

He glances at my screen. “That poor girl. What did she and her family ever do to you where you have to cause her so much grief?”

“They visited my imagination.”



If you’ve read THE LANGUAGE OF THE SON, Michael and I would appreciate an honest review.

Thank you! 

Happy Reading!

Friday, April 7, 2017

Found in the Back Pages of Google

I Know, I know, I shouldn't Google myself, but occasionally I am trapped under a cat and I'll grab my smart phone and see what's happening in Laura Moe World.

Last night I made a couple of wonderful discoveries.

http://beabetterbooktalker.com/

This blog is maintained by a public librarian who specializes in Young Adult literature. In her podcasts she gives insightful analysis of the books she reads, and mine just happened to appear on her list of favorites for 2016.

The other gem I discovered is sort of a mean tweet about my cover.
http://readeroffictions.com/

This site is monitored by a twenty-something librarian named Christina Megan who reviews fiction and also posts snarky comments about book covers. Here's what she says about mine: "And to think this could have been a picture of bacon."




I'm lucky she hasn't reviewed my books.

Okay back to working on my rejection...I mean query letters
Happy Reading!


Monday, December 5, 2016

Accolades and Aching Feet



There’s good news and bad news. I’ll begin with the bad; the publisher still doesn’t want the revision of my sequel to BREAKFAST WITH NERUDA.



But hope is not lost. The other night my feet hurt, my ego was blown from yet another of my daily catastrophes on the job (I’m not very good at my temporary part-time holiday job), and all I wanted was to take a shower to wash off the day, don pajamas and my new fuzzy robe, and let the cat purr in my lap. I poured myself a glass of cheap red wine and checked my email.

Holy crap! The same day I received the latest rejection, my editor and the public relations director both emailed me to let me know my YA novel, BREAKFAST WITH NERUDA, is listed as one New York Public Library’s 50 Best novels for teens 2016.  


It's been several days since I received the news and I’m still in a surreal state of suspension. Friends and family have all offered accolades but they have to because they love me. Strangers liked my book, strangers who read a lot of books.


Thank you, young adult librarians at the New York Public Library. You’ve made this former high school teacher/librarian’s feet ache just a little less.

Happy Reading.

Monday, January 25, 2016

Why Do I Write YA?





When I still worked as a teacher and librarian it always saddened me to hear students say they hated to read. This was unimaginable to me. As a kid stories sustained me and were often my only friends during my family‘s frequent moves. Books were my guides to the world, a dialogue in an otherwise empty room. They were a message in a bottle.

It’s no accident I became a school librarian, English teacher, and later, a full time writer of YA. The seeds for our identities in the world are planted during middle grade and high school years. It's the first breath of independence from your parents. They may try to imprint their ideas and values on you, but during this time your personality forms its own framework.  You discover what you’re good at, what you suck at, who your friends will be, and if you’re lucky, what inner passions will drive you toward your life’s work.

I didn’t pay attention to the details of my identity, or perhaps I wanted to erase the Book Nerd stamp etched on my personality, so I wasn’t so lucky. Throughout my late teens and twenties I floundered around trying on a litany of college majors and half-assed jobs, and dating guys who, for the most part, were bad news.

Yet maybe I was lucky. These muddy side roads added layers to my experiences. Writers create alone, often sequestered in a small room in the back of their home or in a corner table in a coffee shop, but in order to create authentic work, writers also need experiences. We need to talk to people, work with our hands, know how it feels when someone breaks your heart.

In the late 80s, after finally earning my Bachelor’s degree with enough credit hours to have a PhD, I started writing. I wrote bad stories, wretched poems, and a really terrible novel. Most of that work is hidden in a file drawer. While my early work will never see daylight, to throw it out would dishonor the progress I have made. All writers start out being bad writers. Our work is derivative, filled with cliché, and often inauthentic. We haven’t learned to trust the process, to slice your heart open and bleed into the work. We get better by writing, reading, writing more, writing deeply, reading, revising, taking workshops, writing, writing, writing….

Good writing is driven by passion. I’m not talking about Harlequin romance lust, though many fine writers write romances. By the time I was thirty I realized books and words were my passions, and in quick succession earned a masters degree in library and another in writing. As a certified Book Nerd (aka school librarian and English teacher), my work opened up a new arena for writing.

Everyone has a story and writers are story magnets. If we listen, people strangers  share their heartbreaking, tender, funny, sad, incredulous, and authentic stories. They are my muses.

As a teacher my heart was further broken to hear students groan and roll their eyes when I broached the subject of poetry. To them, poets are all dead white guys who use too much flowery language and write about things that have nothing to do with their lives.

They had yet to encounter Pablo Neruda.

By teaching Neruda’s poems, my students learned “the word was born in the blood.” They were attracted to the violence in how the knife assassinates the tomato pulp and “how the sun floods the salads of Chile, beds cheerfully with blonde onion, “and parsley flaunts it little flags,” the in Ode to a Tomato.

One can't teach passion, yet my fervor for Neruda’s poems elevated my students’ concept of what poetry is, and opened the door to reading and writing poetry. It’s also no accident Pablo Neruda simmers at the root of my novel.

My characters in BREAKFAST WITH NERUDA aren't real (except to my readers and me,) yet their inception comes from an authentic place. My life experiences inform me, and allow my imaginary friends to channel their stories through me.

Digital publishing and social media have allowed everyone and his brother to easily promote their books, so a recent phenomenon for writers is to promote their ‘platform.’ Initially this concept left a bad taste in my mouth, as if I’m a product like running shoes or a bag of chips.

Platform can be defined as what we stand for or what causes we support. I believe in Pablo Neruda, poetry, books, and stories. Stories are the thread binding us together, peeling back the mysteries of our own existence.

Words are my platform.  Happy Reading!!


Tuesday, October 14, 2014

How To Be a Good Wife Review and more



How to Be a Good Wife
Emma Chapman

On the surface Marta Bjornstad is a lonely, middle aged woman going through empty nest syndrome. Her attentive husband Hector sees to making sure she takes her pills. “You know what happens when you don’t,” he admonishes. Yet for the past few weeks Marta has faked taking them, and she begins having visions of a blonde girl. The visions are disturbing, yet something drives Marta to refuse to medicate herself so she can solve the mystery of the girl, even at the risk of her own sanity.

Marta and Hector’s son Kylan comes home for a weekend visit with his girlfriend Katya, and the announcement of his engagement accelerates Marta’s illusions toward the sinister truth about her own marriage.

How to Be a Good Wife is a tense, claustrophobic, and ultimately heartbreaking mystery. My details are sketchy because I don’t want to reveal spoilers. If you were intrigued by Charlotte Perkins Gilman’s “The Yellow Wallpaper” or Kate Chopin’s “Story of an Hour,” How to Be a Good Wife will keep you awake for a few nights. Available Nov 4, 2014 in paperback. Picador Books

I recently received two other ARCs in the mail, yet I won’t be reviewing them because, as I said in a previous post,http://laura-moe.blogspot.com/2014/09/are-one-star-reviews-fair.html I don’t like writing bad reviews. I know how hard it is to write a novel, even a bad one. One of these I received from Goodreads. It’s a self published mystery that lacks tension. Rather than publicly humiliate the author, I will send it back to her, and perhaps she can find someone who will praise it.

The other one is from a small press. It too, is a mystery, but the writing itself is godawful. I blame the editor not to pare down the wordy sentences and the numerous misplaced similes that make this particular novel an awkward read. The book may appeal to readers who read just for plot, but I’m an unapologetic word snob. Words are like paint on a palette, and if the writer cannot paint the prose with the right words in the right order, the writing is beige.

Note to self: when entering a Goodreads contest, check out who published the book before clicking on enter.

On a positive note, a recent essay of mine got quoted on Cleveland Poetics
http://clevelandpoetics.blogspot.com/

Meanwhile, check out the entire essay in Poet's Quarterly:
 http://www.poetsquarterly.com/2014/10/confessions-of-failed-poet.html

Thursday, October 9, 2014

Why Do We Read Big Books?




Are some novels just too long?

In a previous post I researched one star reviews, and looked for two long books in particular: Haruki Murakami’s 1Q84 and Gabriel Garcia Marquez’s One Hundred Years of Solitude. http://laura-moe.blogspot.com/2014/09/are-one-star-reviews-fair.html  The biggest negative criticism lies in their length.  Ian McEwan, a master of short novels such as Atonement, believes “very few long ones earn their length.”

I both agree and disagree. 1Q84 could have ended after Book Two and I would have been satisfied with the tale. Gutting about 150 pages out of the center of Stephen King’s The Tommyknockers would have improved the narrative for me. And yet I was held captive throughout Donna Tarrt’s 771 page The Goldfinch and Larry McMurty’s nearly 900 page Lonesome Dove.

My former student Logan P. recently finished David Foster Wallace’s Infinite Jest, weighing in at 1100 pages. “On the surface level, it's given me the confidence to move onto much more difficult works,” he told me. “Once you've read one of the longest books ever written not much seems too difficult. And the book is absolutely packed with information on everything from higher-math concepts (it actually helped with my calculus class) to linguistics to how Alcoholics Anonymous functions. More than anything else, Wallace has a way with the human condition, from the highs to the lows to everything in between, and he's not afraid to discuss it”.
When I asked Logan if the book could have been shorter, he replied, “Yes and no. There are many parts that don't add anything to the plot or character development and just stagnate the book as a whole, yet the, "pointless", stagnating parts add to the themes and the book's purpose as a whole.” Logan said the book is “stupidly long, but it's an amazing read.” He summed it up in a single sentence; everyone is addicted to something, from their television to drugs to their love for their country, and it all ends up being a self-perpetuating cycle. “To quote DFW”, Logan said, “’Fiction’s about what it is to be a fucking human being,’ and you definitely learn more about what that means after reading Infinite Jest.”
After initially abandoning it, I “finished” One Hundred Years of Solitude by skimming and scanning the last two hundred pages, and I came away with more insight on why this novel ranks among the greats. Yes, the book is long, and the character names are nearly impossible to follow, yet after awhile I stopped trying to “understand” the book and succumbed to some of its wonders. If you are looking for a linear narrative, this is not your book. The tale reminds me of a Salvador Dali painting, where reality and dreams entwine. The book shares elements with Homer’s Odyssey and The Iliad or The Arabian Nights, parables of how history spins its wheel and lands on the same places of love, wonder, discovery, avarice, greed, brutality, and ultimately, death. One Hundred Years of Solitude begins at a time when “the world was so recent that many things lacked names” and evolves to when “science has eliminated distance.” Melquides, the gypsy, has predicted “in a short time, man will be able to see what is happening in any place in the world without leaving his own home.”  Like Ray Bradbury’s post war era Fahrenheit 451, the prescience of Gabriel Garcia Marquez’ s 1967 novel has come true.

Other notable quotes from the text are:
“A person doesn't die when he should but when he can.”
“The only difference today between Liberals and Conservatives is that Liberals go to mass at five o’clock and the Conservatives at eight.”

And yet the novel could have been much shorter, because as Aureliano Segundo says, “Cease, because life is short.”

So are long books worth the time and effort? The short answer is depends on the book. On a deeper level each of us brings to a book our past reading and life experiences as well as our present. Sometimes a book find you, much like Julian Carax’s book in the Cemetery of Forgotten Books in Shadow of the Wind, a relatively short book at 528 pages, found Daniel Sempere.


What are some of your favorite long books, and why?

Tuesday, September 30, 2014

Reviews: The Midnight Plan of the Repo Man, Who Is Martha?

Two for One Reviews

Thanks to Shelf Awareness for my review copies of both books.


The Midnight Plan of the Repo Man

W. Bruce Cameron garnered a following with his lively novels A Dog’s Purpose and A Dog’s Journey, and his latest novel, The Midnight Plan of the Repo Man, will appeal to those readers. Ruddy McCann, former Heisman Trophy winning football player, has settled back into his hometown as co-owner of The Black Bear bar and supplementing his income as a Repo man. McCann’s colorful boss Milt tells Ruddy he has the requisite “nerves of stupidity” to legally steal cars back from their owners in default of payment.

McCann faces several challenges: he is hearing a voice in his head of Alan Lottner, a man claiming to have been murdered in a nearby town, an inept nephew of Milt’s who Ruddy is expected to train, a mystery behind checks a series of checks being sent to his foolhardy friend Jimmy, and numerous attempts to reclaim a car from the wily Albert Einstein Croft. While unearthing the truth behind Alan Lottner’s disappearance, Ruddy falls for the late man’s daughter Katie. 

The Midnight Plan of the Repo Man, Tom Doherty Associates, LLC. New York
Available in October, 2014. $24.99




Who is Martha?

96 year old Luka Levadski learns he has terminal cancer, and he is surprised “the intimation of his imminent demise hadn't allowed him to die on the spot, but had instead stirred up a lot of dust was an enigma.” Levadski decides to leave his long term apartment in Ukraine and venture back to Vienna where he lived as a child. Since he is dying, he goes on a shopping spree and stays in a first class hotel, where he befriends his butler Habib and an eighty something gentleman named Mr. Witzturn. Having lived in the same place for nearly his lifetime, working as a professor of ornithology, the reclusive Levadski catches up on social changes in the twenty- first century. In the interim, visual, musical and other sensory cues play tricks on his aging mind, flooding him with skewed memories from his ladder of years.

It is surprising how an author as young as Gaponenko, born in 1981, captures the authentic voice of a man nearly a hundred years old.


Who Is Martha? Marjana Gaponenko (Arabella Spencer, tr.) New Vessel Press. New York. Available October 14, 2014, $15.99

Happy Reading.

Monday, September 22, 2014

Are One Star Reviews Fair?



We’ve all read them: novels so bad you want to heave them across the room, or you just can’t finish because the story becomes convoluted, repetitive, and or the genre changes halfway through. But is a one star rating fair? Mostly not.*

As a writer I cringe when I read one star reviews of author’s books because writing a novel is hard. Even a bad one. (I’ve written my share of terrible drafts, and am currently revising a horrible manuscript to elevate its status to merely awful.)  But reading a novel is also Herculean, especially one weighing in at 600 or more pages. It takes weeks, sometimes months of commitment. None of us has to read fiction, unless we are editors, high school or college students, in which case we are prisoners to the assigned tome. Students can pay erudite friends to read it, use Spark Notes, or buy literary analyses papers online. Because I love to read, I never cheated myself from the experience of finishing an assigned novel. But I was young then, and my future slow-walked toward infinity. Time is finite, so before I commit to a novel, I often read the customer reviews, and I begin with one star ratings.

Many one star reviews are crass, and often cryptic, and sometimes customers give one star because amazon sent the wrong book or the item was mangled in shipping. Is that the author’s fault? (Note, independent book stores pack and ship items carefully. You’ll pay more for shipping, but you will get what you ordered.) I ignore the idiots, and read ratings where someone has actually read the book. Reviews say as much about the reader as the work itself.

I was curious how Beautiful Ruins, by Jess Walter, fared in the ratings. I loved it, and recently recommended it to a friend. I had not read any reviews before purchasing it. I was in the bookstore and the opening scene grabbed me.  The novel begins in Italy during filming of Cleopatra, starring Elizabeth Taylor and Richard Burton, and alternately shifts to present day Hollywood. I loved the fictional and real life characters, and like all good fiction, found the story believable. But that’s just my opinion, because J Lee has “been astonished at all the great reviews for this book” and found it “tedious, offensive and downright ugly.” Redgirl writes it was “torture to finish but did so as a model to my grandchildren that we MUST finish our homework” and Snickers88 is “angry at myself for wasting time with it.”

Another of my favorites, The Goldfinch, winner of the Pulitzer prize,  received mainly good reviews, but garnered a few one stars from many ‘anonymous’ people who found it boring. George H Hedges has “never wanted to burn a book… until now” and a reader called Californica, mentioning he/she loved The story of Edgar Sawtelle, (a book I found too boring to finish,) called The Goldfinch “incredibly depressing without any creativity and beauty,” and “a total waste of my precious reading time.”

Perhaps if I had consulted the one and two star reviews of Murakmai’s 1Q84 I may have saved myself a huge chunk of time. But I had loved Kafka on the Shore and The Wild Sheep Chase. Chris Fiorillo compares 1Q84 to ruining your favorite cocktail by mixing it with “clam juice, Tabasco sauce, maple syrup, nutmeg, and vanilla.” Emmett R. Furrow,  expresses how the novel “put me in a coma by the beginning of book 3 and I found myself talking back to the book as it progressed to its pointless end.” Yeah, I have to agree with these.

I’m on my third attempt at One Hundred Years of Solitude, largely because many of my favorite authors note that as the ultimate Latin American novel. I’ve made it further this time- about a hundred pages, but the reading is not effortless. Daniel claims the book as “almost incomprehensible. The only reason to buy it is you’re a poseur wanting to claim that it’s great literature.” I’m a little confused by the story, but I’m underlining passages, and I want to see what makes this a great novel.

Why do we read fiction?  It’s a pack of lies, yet stories reveal the ugly and beautiful truth of who we are. Whether that truth is revealed through zombie/vampire novels, dystopia, cozy mysteries, Shakespeare’s plays, or in tomes by Brian Jacques, we search for stories that speak our name.
Which novels have spoken to you, made you feel happy to be alive? Which ones have you hurled out the window from a speeding train?

*some sequels are best left unwritten. The Streets of Laredo, McMurtry’s bizarre anti- sequel to his masterpiece Lonesome Dove, is an example. McMurtry admittedly took liberties with his original characters to reframe them in this unpalatable book. Why didn't he just write a new book with new characters? I threw mine across the room by page 48. All of my friends who also loved Lonesome Dove said they couldn’t get past 60.

Upcoming reviews:
Who is Martha? By Marjana Gaponenko

Repo Man by Bruce Cameron

Saturday, May 24, 2014

What Subpar Novels Teach About Writing


A review copy of a writers debut novel arrives in my mailbox. The cover has a pleasing aesthetic with a balance of primary colors and an exotic beauty and a promising title. Its premise sounds intriguing: a young man feels guilt over having bypassed two tragic events, 9/11 and the Asian tsunami, by convenient circumstances. A blurb from a well respected author calls the novel "smart and insightful."  The opening line, though somewhat wordy, indicates upcoming events will be different from the rest.

Twenty pages in, mired in back-story and confusing plot, I stop reading. Instead of moving forward, the story stalls, restarts, and stalls again like an engine missing a spark plug. Ive seen this device in other novels, and sometimes it works, but not in this case. I skim the rest and gladly set this one aside.

I'm reluctant to write bad reviews because I know how hard it is to write a novel. This one obviously has enough merit that a publisher is willing to spend time and money on mailing out advance copies. In the Q&A at the back of the book the author discusses how the story transpired. The novelist cares about this work and took care to construct it, but I won't be writing a review of this book.

The problem with the novel is not in the writing, per se. The author constructs pleasing sentences and descriptions.  A lovely poem from one of my favorite Polish poets acts as an epigraph, so the author pays attention to literature.

Ultimately, though, the book's structure falls apart. Allegedly the tale surrounds the young man I will call George, who has a guilty conscience. I quickly grow confused by shifting viewpoints and gratuitous back-story. I'm the back-story queen, and tend to rely on it too heavily in my own drafts. Later, in subsequent drafts, all that stuff only I need to know, or the reader can figure out for himself unravels in action or dialogue. This process often takes multiple revisions.

The dependence on back-story in this novel makes me wonder: just whose story is it? Is George our protagonist? If so, why are alternating viewpoints, written in third person by numerous characters, used throughout as a structure? If George is in fact our hero, alternating points of view in first person about George can work. But in this case the novelist appears to be giving several characters stories equal time where a.lot of attention was given to a grandmother character. (Granted, I didnt read it; I only skimmed it.) Is it ultimately granny's story? Perhaps George is not the protagonist. Maybe hes the antagonist.

Why am I reading this? If I need to work this hard trying to figure out why I should be reading something, I dont finish it.

This unnamed-novel-with-the-lovely- cover fails on several levels:

Rooting Qualities- Who am I rooting for? Why?

Structure- Where is this tale going?

Show Dont Tell- back-story explains too much.
Let the reader figure it out. The reader will form a deeper connection
if you dont tell him/her how and what to think.

I wish this author good luck and book sales. Now that he/she has written and published a novel perhaps his/her next novel will demonstrate improved story telling skills.  


Happy Writing.