Saturday, January 19, 2013

The Next American Author?



You’re at a reading: The final one of the season. The arena is packed, and a group of agents and editors comprise a panel of judges to choose the “Next American Author.” Ten finalists, of whom you are one, stand backstage, clutching dog-eared, marked up manuscripts. You survey your competition. Three poets, poring over their sheaves of poems.. Pah! Go stick your head in an oven, you think. The real writers write prose. You disguise your disdain by giving them a thin smile, hoping they trip up on their line breaks.

The Creative Nonfiction writers, or CNFers as they like to refer to themselves, share jaunty jokes and easy confidence, as if they know they have already won. Ironically, when they lose, the CNF crowd will later go out for a raucous time and swap stories of their immersion journalism and fly on the wall observations. Jerks. I’d like to CNFU, you think to yourself. Fiction is where all the real writing happens. But again, the toothpaste commercial smile appears on your lips.

Your stories are good and you know it. Via quirky characters who seduce readers with their charm and complicated plots, you have assembled a good collection of published work. (You even got a handwritten note from the New Yorker!)  Your syntax is elegant, not unlike Faulkner, as it winds its way through tunnels and alleys, picking up the detritus of humanity in all its glory and wretchedness, revealing the complexity of the human experience.

Your only true competition in this arena is that wiry guy standing alone in the corner: Lance Strongworde. His prose is edgy, and lean, containing powerful verbs and nouns. His work has heft, and he has not been in the bottom three since this competition’s inception. Granted, that guy can write. Prolific, almost like a machine, Strongworde can compose on demand. Give him a prompt, and he cranks out a tale of such power it makes audiences weep and laugh simultaneously. A regular Ray Carver. You hate that guy. Where does he find the words?

Strongworde stands alone, appears to be reciting to himself from memory, half in shadow, his lips moving. Then you notice a hand pass something to him. Lance grabs for it, a small plastic zip loc bag. He opens the bag and swallows its contents. Before Strongworde stashes the bag in his pocket you notice the lettering on the outside: power words.

Damn! He’s juicing, being fed words like candy. No wonder writing doesn't seem to rip out his soul like the rest of us; he has no soul. He’s all artificial verbs and nouns.

Here’s my chance, you think. You can win this thing; all you have to do is turn him in. But what will make the better story? Portraying a tattle tale who receives much deserved accolades and a book contract, or waiting this out?  Or later, in your blockbuster novel, where you reveal the truth about a character you call Ward Lanceatale, a man so bent on fame he chews up the last of his integrity for the sake of fame and money?
 Happy Writing.

Thursday, January 17, 2013

Is Print Dead?

Available now 


.
Shortly after Christmas I visited Barnes & Noble. I spent a lovely afternoon having a latte in the cafe and  browsing the shelves. I walked to the registers to pay for my purchases. As I stood in line, I perused the magazines racks near the counter, and was stunned by the banner across Newsweek: This is Our Last print issue. Something in me shifted; science fiction is no longer fiction.
 Those of you who subscribe to and read my blog regularly know of my ambivalence with emerging technologies, particularly in the book realm. I own several devices, and use them regularly. I composed The draft for this post on an iPad, so arguing against technology is moot. However, my argument is not to ban existing platforms, as is happening in this Texas library,  http://news.yahoo.com/library-without-books-bibliotech-open-193118588--abc-news-tech.html

Is this a trend? The library of the future?  Look at the accompanying illustration in the artcile. What do you notice about the people? There are none, only a series of screens and empty stools. The shadowy figure behind the desk is solitary. Does that mean libraries will not only do away with printed matter, but their staffs as well?


Libraries throughout the centuries have adapted to the needs of their clientele. Every few years the death of the library is predicted, yet libraries have demonstrated a perseverance and adaptability. Yet this latest shift could put a serious dent in library services.

(Bookstores, however, are experiencing a shakier fate. see

Probably a gazillion of us have some access to screen technology, be it a TV, computer, laptop, smart phone, e reader, or tablet. I use all of the above to some extent, yet there is an aesthetic to printed books not found with a digital version. Perhaps this reveals my age. I grew up in a time before reliance on cell phones dominated our lives, relatively un-tethered to friends and family if I ventured out alone. Now I can update my status 24-7 via Facebook, revealing what I ate for dinner , find the weather and upcoming TV listings on my phone, yet when I use my e reader, Big Brother knows what I am reading.

E readers are great for travel. When I take a trip more than three days long, I generally like to pack 3-4 books, which now that airlines charge us for every last speck of dust in our luggage, loading a variety of books on my Kindle makes sense. The device is about the size of a trade paperback, and weighs about the same as a hardback book.

My Kindle is the second generation, which does not have a backlit screen, yet,  there are some issues with reading from backlit technology, particularly at night, the blue spectrum light emitted by screens interrupts sleep patterns. http://www.medicalnewstoday.com/articles/249592.php

This is bad news for those of you who like to curl up with your iPad or Kindle Fire and read in bed.  

 I don't hate technology. It enables me to write and post this readers in a variety of places, twitter, Google plus, and Facebook. In the old days, before blogging, when all opinion pieces  were printed through edited means, my ideas would be limited to cocktail hour chats or perhaps a letter to the editor. Now I can have a global dialogue and Instant access to feedback.

Another ironic bonus to technology is instant books.  I live an hour's drive from a brick and mortar bookstore, so if I need or want a book right away, I download it. Recently a publication where one of my stories appears (Triskaidekan,) was delayed by the printer, (see photo at top.) but the publisher posted an e book version, and I gained instant access to the anthology, which I was able to promote via social networking. Yet I still plan to also order a printed copy.

Ironically, readership is on the rise, yet print media are declining. It's the chicken or the egg. (Is digital downloading of books on the rapid rise due to vanishing bookstores, or are book stories vanishing because of digitalization? But this post isn’t supposed to be about bookstores…)  According to the Pew Research  Center , “The popularity of electronic books is increasing in the United States, with nearly one-quarter of American bibliophiles reading e-books, according to a survey released on Thursday…The number of e-readers aged 16 years and older jumped from 16 percent in 2011 to 23 percent this year, while print readers fell from 72 to 67 percent in 2012.”

But technology has its limits. Things break down. The power goes out, security leaks, files corrupted, devices get lost, or stolen, (who steals books anymore?) screens break, or go wonky. There are also economic issues.  . I live in Appalachia, where 45% of our students qualify for free and reduced lunched.  Many of our students in my HS still do not have access to computers and the Internet outside of school. Checking out books is free.


Lets hope the death of printed matter becomes, like the predicted death of radio with the advent of television, a shift n emphasis, where books and gadgets forge an alliance rather than declare war.

Please visit your local Library. Ask for information. Check out a book or other printed media. 

Saturday, January 12, 2013

The Disturbing Comedy of the Writing Life


 

 

Recently a close friend of mine launched her poetry page on Facebook. Several people, me included, wrote posts congratulating her.  Then THIS guy, who I will call Richard, shows up: typos, spelling and punctuation errors are from the actual transcript. I admit I don't fare well here, either. I have changed names to protect innocent and guilty parties except my own.

 

AJ:  Congrats, now [my daughter] Julie and I can post poems and her illustrations.

 
RICHARD: poetry....lame

 
RICHARD: why not REAL writing??? I would write a Poem demand anytime of the day....but a novel!!!! Wow.

 
RICHARD: so another bs journal of poems that no one will read....ppl hate poetry with all due respect .

 
RICHARD: poetry on FB!

 
DAVE:  Rick. :(

 
ME: People love poetry. Even on FB. Poetry unites souls of all stripes.

 
RICHARD I still KNOW that sooooooooooo few ppl read or understand real poetry.

 
RICHARD: Laura...good. Lets see ur real TOTally original really moving or real????

 
DAVE: I can hear my grandmother saying "if you don't have anything nice to say, don't say anything at all."

 
RICHARD: no moon in June

 
RICHARD: so what

 
ME: Go away.

 
RICHARD: i SAY WHAT I SEE AND FEEL.....im honest!
 

RICHARD: u go away asshole

 
RICHARD: what have u ever done??.??

 
DAVE:  Yes, I detect some ego issues' or a hint of jealousy. If I could delete this post I would.
 

RICHARD: she told me to go away. I have the right to stay and simply asked her what she's done- I mean in literature???

 
ME: I have done nothing notable. I write out if live and need, not accolades.

 
RICHARD: I write out of live and need not accolades, even this is incorrectly written
 

DAVE: When we judge or criticize another person, it says nothing about the person; it merely says something but our own need to be critical."

 
ME:. Typos. I write out of need.

 
CRAIG: Keep it down people, I'm trying to watch The Walking Dead
 

ME: LOL Craig

 
RICHARD: all bs

 
RICHARD: try and spend 30 years writing 8 novels to live off writing and living in shit rooms, etc. trying here and there. I made $50,000 on one book- and well- not good just now. Just published a piece in NDF journal...nothing but nice....as if.

 
RICHARD: The Walking Dead is for total idiots - zombies --! Man. Dumbing down man can't u see that!!!
 

AJ:  poems and novels are different beasts. They do different things. Sometimes I need the compressed language of a poem to tell me things I didn't realize I knew. Sometimes I need the expansion of a story to let me fall in love with a different life.

 
RICHARD: TV and espec commericals brainwash and dumb down the ppl as does the food for the kids and the allowance for terrible morals. All obese and stupid. A take over by a fascist government is eminent....based on the population weaknesses.

 
RICHARD: aj...unpublished novels? I mean with A REAL PUBLISHER? As standards have lowered with books...congrats to u

 
DAVE:: And we all walk away and ignore the guy in the classroom who thinks he's trying to teach everyone a lesson. Leaving him in his UTTER SILENCE. Goodbye.

 
RICHARD: WHY. Why why why why are ppl? So obsessed with zombies and vampires??? I have a theory but who cares..

 
RICHARD: DAVE LOL ur sooooooooo correct!

 
AJ: I didn't say I was published. I am talking about reading. But you're making me sad and tired and I have work to do and a (not obese or stupid) daughter to chat with.
 

RICHARD: OKKK ENJOY! Im not against ANYONE!
 

 
What disturbs me most about this dialogue is how easily writers can slip into a state of despair when our work is not validated. As crazy as Richards argument is, and he does all the wrong things by shouting at and insulting his audience, not backing up his( unclear) thesis, and drifting way off topic, he has a valid point about having spent his entire adult life committed to writing, with nothing but 50,000 and a few journal publications. I feel bad about telling him to go away; I had resorted to playground antics.

 

My friend AJ cyber stalked him afterwards and sent me some links. Richard has some street credit the writing realm, and turns out to be a good writer. Perhaps he was having a bad night.

Writing is a bad influence on a happy life. It requires monuments of time, gives back little to nothing, and betrays you by forgetting to lock the door at night. A career in writing is not for the faint hearted.

 

I empathize with Richards commitment of time and having little or nothing to show for it. I too have devoted nearly 30 years to this wobbly venture. Most of my publications have been for copies, or small stipends. (When I got $25.00 for a poem I felt I had won the lottery!) . Yet some ineffable force  propels me to keep tapping at the keyboard, producing reams of bird -cage-liner-worthy fiction and poetry. Occasionally a gem shines through, and someone who doesn't know and love me feels fit to publish it in their anthology or journal.

 

Why do we write? Humans need to share stories. We need poems and tales to reinforce what it means to be human. AJ said it well when she stated:

Sometimes I need the compressed language of a poem to tell me things I didn't realize I knew. Sometimes I need the expansion of a story to let me fall in love with a different life.

 

Writers, if you're looking for glory, money and accolades, play the lottery. Your odds of success are better.
 
Happy Writing.

Sunday, December 30, 2012

6 Pieces of Advice: Confessions From an Inefficient Writer:


 
Do as I say, not as I do
 

Phil Gerard, one of the mentors in my MFA program, once said, “writing an essay or story is like designing a church, whereas crafting a book is akin to building a cathedral. “ His message is as writers we need to be good at building smaller stories before we can expand our horizons.

Some days I’m a total failure.

 
Like today. I am stuck in a scene in a library where I know I crafted some great interior monologue about my protagonist’ relationship and history with libraries, but I can’t find it. My organization system is an ADD mix of stuff I write on the computer, late night scenes or passages scrawled on one of the many notebooks next to my bed, notes created in a mini notebook in my purse, passages tapped out on my ipad in Pages, and things scribbled on random post-it notes.

 
I have tried organizing by outline, forming a skeletal structure on which to build my tale, but I deviate to the point my frame collapses. I try to be systematic ad organized, and envy friends and family who have a place for everything . I’ve tried to be neat, but I get very nervous and feel an ureg to mess things up.  I can’t write when things are too neat. It suffocates me. A coworker once described my methods as anal explosive. Yet I know where everything is, (except my library scene) and miraculously, I have written several novel, a memoir, and countless stories and poems. I do not recommend my methods. . 1. Find an organization system that works for you, and helps you get the job done..  

 
2. Make backups. One of my classmates had to add a semester to her program when her computer crashed, thus eating up her thesis. She had no back up. This was in the days before the web, where you couldn't send ginormous files over the internet. And she had not printed up or backed up her manuscript. At the time, (remember this was the Dark Ages of the 90’s) I saved mine on floppies and kept a set at work, another at my father’s house, and set in my briefcase. Now I email updates of files myself and save on flash drives.

 
3.  Don’t lose your credit card. You will waste time looking for it, fretting, and eventually calling the bank, just to find it later in the seat cushions of your couch. Don't even get a credit card if you can help it. Writers don't make enough to pay the balance anyway

(One good thing was when looking for my credit card I found a flash drive I had earlier misplaced.)

 
4. Check for typos. There is no I in potatioes.  My friend Elizabeth loves my typos. Just today I said I may have lost the credit card in the sofa cushions, but I typed spa cushions.

 
5. Don’t shovel snow for an hour, then spend five hours at the keyboard. It’s really hard on your neck and back. Luckily I have a terrific shiatsu massager which I have used gratuitously these last couple of days, yet I can’t write while my back is pummeled to and from from the shiatsu thingie.

 
Here is a piece of advice of something I did right:
 

Change point of view My MFA thesis was a memoir, a terrible piece not fit for your eyes not fit for publication. There were scenes in there concerning my mother’s death I found difficult to write. One of my thesis advisors, Lisa Knopp, suggested I write the scene in third person, stand outside and narrate. I did, and it worked. I still but the altering viewpoint lifted the gate and let me take note of what went on.

 
Overall, find out what distracts and derails you, manage it, and write.

Happy Writing

 
p.s. I did find the library scene. It wasn’t as good as I recalled, so wrote a new one.

Saturday, December 1, 2012

When Characters Attack




Facebook Cover


42000 words into nanowrimo, three days away from the November 30th deadline, I decided I could not go on. I was sick of words, sick of staring at the computer screen for hours and not being able to see anything clearly for at least a half hour after finally walking away from my laptop. I had had enough.

But, dammit.

Shelly, one of my characters, forced me back to the keyboard. She insists on revealing her darkest secret to Michael, the protagonist. In turn, Michael also shares his ugly secret.

But I have work to do, I tell them. Papers to grade. Sleep of which to partake. I’m tired. I just want to clean my house, sweep the cat hair out of the corners. Do a load of laundry. Cook a meal. Be a person. Your problems can wait, characters

No, they can’t, Shelly and Michael bellow. We are on the edge of something crucial, you moronic, self centered writer. We might slip off, become covered in mud. Or worse. Crack under the tension and do something stupid like break off our relationship. So get your giant ass in a seat and help us tell our stories. Yeah, you’re a crappy hack, but you’re all we have right now.

Ugh! I hate you people. I mutter some expletives under my breath.

Feeling’s mutual. Now get over to Starbucks, order your latte, and open that laptop. Plug in your headphones so you won’t get distracted. We’ve met you and your ADD, “Oh look at the pretty sunshine, is that a cardinal?” ways. We like instrumental music, by the way. The soundtrack from Slum Dog Millionaire works. So does the one from The Best Exotic Marigold Hotel. Sort on an Indian fusion vibe that rocks. No words. You need to concentrate on ours. Focus.


So for the next two days, every spare moment, these two characters hold me captive. They invade my dreams when I try to ignore them, wake me in the middle of the night like shrieking children. By 7 pm on November 30th, a Friday, after I had worked with sixth graders all day, I lookeat my word count. I am about a thousand words short. Shit. I can't see. My eyes burn and I just want to rest.


Yeah, so do we, but you have to move on. It’s a nice day for a picnic lunch of bread, peanut butter and wine. We have to have that long conversation Shelly has been promising Michael these past few weeks.

You owe me I say.

Yeah, yeah. Whatever.


So I hunt and peck more of their story. 50,835 words of it. But it’s not even close to being done, I whine.

They laugh. Yeah, ironic, huh? Hey, you chose to be a writer. 

#

How did YOU survive the nano experience?

Happy REwriting.

Saturday, November 17, 2012

How to Love a Book Part 2




 


I am taking a break from nano to write a quick blog post. I recently assigned a process essay in my comp classes with the theme, How to Love a Book (or an author, genre) etc. Essentially I wanted them to focus on their process as developing readers. The initial drafts ranged from tepid to pretty good, but mostly, the rewrites are outstanding. The following are quotes I extracted from my students on the reading/writing connection:

 
Taylor writes, "I noticed my intelligence growing more and more after I began to read,." And Caitlin says, I'm not entirely sure what it was about the book I loved. It's like I had a hunger in me, and I craved the words on every page.” According to Victoria, Alice (in wonderland) made me realize everyone you meet has their own normal."  

 
After his uncle’s murder, Sloan was jarred into not “ wanting those stupid fairy tales; I wanted something with acumen that made you think…He writes about the Dexter series, and “I often wish Dexter would find the man who took my uncle’s life and show him the images of the disaster he inflicted.”

 
Jake says,”in experiencing new reading you see all the ways writing is explored.  And Regan feels “The title made the decision of reading the book itself “

 
“If the authors writing style is boring and dull,” Jerry says, “then reading the book can make me somnolent and put me to sleep."

When Tosha started reading the Maximum Ride series on a vacation, she rued about having to leave her book in the car. “I had to put the book away for the hour long lunch break, and I was literally aching from not reading.” We bibliophiles know that feeling well.

Shala realizes that characters often have flaws, and, ”Unfortunately, things in books don't always happen the way people want it to.”

 
Several students were drawn into reading early. Katie says, ”Frog and Toad are friends made me love reading, made me feel like I was pa of the nexus of book readers. It started the spark that made me burgeon as a reader, while Victor writes, “Horton Hears a Who taught me not to judge a person because a person is a person no matter how small. I was bullied as a child, so this lesson, so this lesson holds deep well within me.”

 
Ian’s essay is a thoughtful treatise on the components of needed to become a reader: free-time, creativity and curiosity. All of which, ”allows us to be open to other people and their imaginations, and aslo allows us to develop a love for the stories that come out of the creative eye of the world's authors.”

Mallory summarizes this by stating, “your wildest dreams become reality in impossible ways.” Emily points out the ineffable book love by stating, “There was something special about the books I couldn't put my finger on.”

 
While most of my students write about fiction, two chose nonfiction. Of the memoir The Glass Castle, by Jeannette Walls, Shi writes how she “dove into 288 pages of someone else’s life.. Walls seemed to have the strongest bond with her father and as she got older…his alcoholism didn't affect her the way it would have affected me. She didn’t break down or let it deter from her goals. If anything, it motivated her.”

 
Kaitlin, a good writer who claims to despise reading, writes: I have neither time nor patience for lounging around to read a book with having to balance high school, college and work. In place of reading I enjoy watching educational or scientific television programs.” As much as she abhors reading fiction, her essay extols the virtues of reading her college Biology text, as my enthusiasm for science materials burgeoned, I have acquired a subscription to National Geographic magazine, which I read in my free time.”

 
Perhaps Kelsie sums up what all bibliophiles feel: “When I find the right book it is hard to put it down.”

 

 

Happy writing and reading. Now back to my nano novel, 23, 587 words strong so far.

 

Sunday, October 28, 2012

How to Love a Book

This book may shock you, will make you laugh, and may break your heart, but you will never forget it. 

Shortly before we moved back to the United States from East Pakistan, on the precipice of undergoing a revolution to become Bangladesh, we were frightened by an event that made my family and I pack our bags for flight. We had been in Dacca three years, and for the first two, life had been sedate, albeit not normal. Nothing on the  Subcontinent appears normal to westerners. But we felt safe. We were Americans after all,  the White Gods, impermeable .


This past year, however, our status as rich foreigners made no difference to the rioters and demonstrators. Because I was young, fourteen, and lived a privileged lifestyle rendering me immune to local politics, I didn't pay much attention to outside forces unless they inconvenienced me. My brother Paul and I attended the American School, and began missing school at least once a week because of  strikes and curfews. Phone service grew sketchier, and power outages occurred almost daily. Still, I had my books. I read by lantern light.


Our house had a flat roof, perfect for watching weather or surveying happenings in the neighborhood. One  spring evening my father and i stood rooftop after supper and noticed a trail of light snaking its way in our direction. "What is that?" I asked.

Dad squinted, and said, "I don't know. Go get the binoculars."

I returned with the field glasses, and my father stared at the light, now much closer and brighter. "Jesus," he said.

"What is it." He handed the binoculars to me. A crowd of men, perhaps a hundred, carried lit torches. They were shouting, waving the torches, and heading toward our street.

One of our servants stood in the doorway at the top of the staircase. "Sahib, it is not good what is happening."

What are those men saying, Kardir?"

"Death to the governor, Sahib."

The governor's daughter lived in a large new home caddy corner across from our compound.

My father hustled us downstairs, shouting for my mother and brother and I to pack a bag. "We may have to get out tonight."

I retrieved my blue suitcase from the godown (closet) and flung it on my bed. This bag had seen me through several trips across the United States and overseas. The suitcase was blue, yet covered with decals and stickers signifying various places i had journeyed.

"We might not be coming back," my father had said. "Take what you need,"

I gathered up my favorite books, records, my diaries, yearbooks, and a few souvenirs and dumped them inside the bag. I threw in a few clothes and sat on the case to close it.

 My father came in to get my luggage. "What the hell?" He set it down and opened it. "You can't take all these books,"

But you said take what's important to me."

He sighed. "We can buy you new ones when we get back to the states. Now pack some more clothes. "

 
After quick negotiations, I was allowed to keep my yearbooks, diaries, a few record albums, a couple of souvenirs and one book. I filled the rest of suitcase with clothing and a pair of shoes. Dad and I dashed to the back fence where my mother and brother waited in the dark.

 
The solitary book was a paperback copy of Catcher in the Rye. The book had leapt into my hands one day when the book wallah, a man who sold books from his bicycle, every Saturday, visited our house when riots didnt keep him away. The cover bore a picture of a young man wearing a brown coat, backwards red cap, and a red scarf. He was illuminated by lights from a strip club at night as he held a battered suitcase littered with stickers, much like my own. 

 
The text on the cover read: This book may shock you, will make you laugh, and may break your heart, but you will never forget it. How could I resist that?

 
I fell in love with crazy old Holden Caulfield on the first page."If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth."


 Having recently turned fourteen, I identified with his disenchantment with school, parents, peers and life in general. Catcher in the Rye is the first novel I read more than once, the first novel that made me laugh and cry sometimes simultaneously, such as a scene in Chapter 25, when Holden takes his little sister Phoebe to the park and tries erase all  the graffiti. He resigns himself to, "That's the whole trouble. You can't ever find a place that's nice and peaceful, because there isn't any. You may think there is, but once you get there, when you're not looking, somebody'll sneak up and write "Fuck you" right under your nose. Try it sometime. I think, even, if I ever die, and they stick me in a cemetery, and I have a tombstone and all, it'll say "Holden Caulfield" on it, and then what year I was born and what year I died, and then right under that it'll say "Fuck you." I'm positive, in fact."


As a toddler  before I could read the words myself, I tortured my parents  to read it again!  and in elementary school I repeatedly recited lines from The Cat in the Hat and Green Eggs and Ham. What kid didn't?  But the Catcher in the Rye is the first story I lived within; I was Holden Caufield, even though I was not a seventeen year old boy living in New York City. It didn't matter.  His voice lived inside me, and I became part of the story.


It's been years since I have read the book, but subconsciously I channeled Holden when I wrote my first novel, Parallel Lines. The lead character, Nick Verseau, unintentionally bears a similar voice, so Holden still lives inside me. I'm oldish now, yet perhaps still a rankled teenager at heart.  Maybe someday I will be promoted to tell you all the David Copperfield kind of crap about my life.


This morning I thought about how there are no original stories. All the major themes in life can be placed written on one 3 x 5 card. Yet every  new novel, memoir or book of poems released is original because each of us experiences the universal themes  uniquely. So even though all the stories seem to have already been told, there are still some great tales yet to be written. Write one.

 
What is YOUR favorite all time book? If you were being evacuated to a new planet and could only take one book, which would it be and why?


Happy Writing.