In the manuscript I’m revising there’s a scene that takes place in Seattle’s Sculpture Park. Problem is I had not actually been to Sculpture Park. It’s free and open 365 days a year. Other than revising, I had nothing else on the agenda today.
Initially I planned to take the bus because 1,) my cousin gave me some free bus passes that expire soon, and 2,) driving (and parking) in downtown Seattle is a pain. But it was cold and rainy when I left my house this morning. Not the most ideal weather for an outdoor excursion but I couldn’t revise my scene any further without actually setting foot in the park.
I drove south on Highway 99 to 105th and continued south through Ballard on Holman, which morphs into 15 th St. NW and changes into Elliot Way. Allegedly there’s a parking garage near the park, but luckily for me I couldn't find it. I saved myself 6 bucks by parking at The Spaghetti Factory, which doesn't open until 4:30. It’s located right across the street from the park entrance.
Sculpture Park resembles a boardwalk more than an actual park. It sits right on the seawall overlooking Elliot Bay, adjacent to the Port of Seattle. Today was damp, windy and chilly, so there were only a handful of walkers and runners braving the weather. The surf was high and choppy, and if you stand against the waterfront railing you feel like you’re on a boat. If I were a runner this would be a great place to train. One gets a waterfront view, a few cool pieces of sculpture, and ample leg room.
The sun came out as I began my walk. The entire park is a little over three miles, and I would have trekked the whole thing, but I needed to pee and there were no bathroom facilities, so I only walked about a mile of it and turned around and headed to the Port of Seattle. Because it’s winter, the waterfront on Alaskan Way wasn't crawling with tourists. Last time I was here was in summer and the crowds were so thick it was claustrophobic outdoors.
I dipped inside the Clipper Cafe, used their restroom and sipped a cup of coffee as I watched the cresting waves and ferries arriving and leaving the dock.
I’m glad I made the journey; it will give my scene more authenticity. , even though the scene itself is relatively short, it happens at a critical moment in the plot. Now that I know how to get there and where I can find facilities I plan to return before spring, before the crush of people spoils the view.