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Showing posts with label writier's block. Show all posts
Showing posts with label writier's block. Show all posts
Sunday, February 17, 2013
Saturday, December 1, 2012
When Characters Attack
42000 words into nanowrimo, three
days away from the November 30th deadline, I decided I could not go on. I was sick
of words, sick of staring at the computer screen for hours and not being able
to see anything clearly for at least a half hour after finally walking away
from my laptop. I had had enough.
But, dammit.
Shelly, one of my characters, forced me back to the keyboard. She insists on revealing her darkest secret to Michael, the protagonist. In turn, Michael also shares his ugly secret.
But I have work to do, I tell
them. Papers to grade. Sleep of which to partake. I’m tired. I just want to clean my
house, sweep the cat hair out of the corners. Do a load of laundry. Cook a
meal. Be a person. Your problems can wait, characters
No, they can’t, Shelly and
Michael bellow. We are on the edge of something crucial, you moronic, self
centered writer. We might slip off, become covered in mud. Or worse. Crack under
the tension and do something stupid like break off our relationship. So get
your giant ass in a seat and help us tell our stories. Yeah, you’re a crappy hack,
but you’re all we have right now.
Ugh! I hate you people. I mutter
some expletives under my breath.
Feeling’s mutual. Now get over
to Starbucks, order your latte, and open that laptop. Plug in your headphones
so you won’t get distracted. We’ve met you and your ADD, “Oh look at the
pretty sunshine, is that a cardinal?” ways. We like instrumental music, by the way. The soundtrack from
Slum Dog Millionaire works. So does the one from The Best Exotic Marigold
Hotel. Sort on an Indian fusion vibe that rocks. No words. You need to concentrate
on ours. Focus.
So for the next two days,
every spare moment, these two characters hold me captive. They invade my
dreams when I try to ignore them, wake me in the middle of the night like
shrieking children. By 7 pm on November 30th, a Friday, after I had
worked with sixth graders all day, I lookeat my word count. I am about a thousand
words short. Shit. I can't see. My eyes burn and I just want to rest.
Yeah, so do we, but you have
to move on. It’s a nice day for a picnic lunch of bread, peanut butter and
wine. We have to have that long conversation Shelly has been promising Michael
these past few weeks.
You owe me I say.
Yeah, yeah. Whatever.
So I hunt and peck more
of their story. 50,835 words of it. But it’s not even close to being done, I
whine.
They laugh. Yeah, ironic,
huh? Hey, you chose to be a writer.
#
How did YOU survive the nano
experience?
Happy REwriting.
Wednesday, May 18, 2011
It's the end of the school year, I am in the middle of inventory, ready to grade AP Final projects, have not yet written this week's poem for my poetry workshop, and need to prepare for my YA writer's workshop this Saturday. I need more to do!
NOT.
This morning I dreamed a complete poem to write for Diane's workshop this week, and in my half sleep it sounded fantatsic. Can I remember any of it? Nope.
I have tons of great opening lines.
Like:
By the my father and brother died
I was an expert at sudden death.
Or
Losing weight is like excavating for dinosaur bones.
For a long time she idolized salt like it was Salt God
And these could be titles:
The orange flower of afternoon
Ordinary things worth saving
The brief history of butter
But my brain stops after a few syllbles. Maybe I need a reboot. So Diane,and my fellow poets in workshop, I apologize ahead of time for writing the crappiest poem you will see in a long, long time.
Happy Writing.
NOT.
This morning I dreamed a complete poem to write for Diane's workshop this week, and in my half sleep it sounded fantatsic. Can I remember any of it? Nope.
I have tons of great opening lines.
Like:
By the my father and brother died
I was an expert at sudden death.
Or
Losing weight is like excavating for dinosaur bones.
For a long time she idolized salt like it was Salt God
And these could be titles:
The orange flower of afternoon
Ordinary things worth saving
The brief history of butter
But my brain stops after a few syllbles. Maybe I need a reboot. So Diane,and my fellow poets in workshop, I apologize ahead of time for writing the crappiest poem you will see in a long, long time.
Happy Writing.
Saturday, April 16, 2011
The Kingdom of Silver Doubt
What was I thinking when I decided to write a blog? I don’t write every day, much less blog. I COULD post everyday and tell you I ate oatmeal with nuts for breakfast and describe the cute funny things my cats did last night, but that’s what Facebook is for. So, yes, I know I SAID I was going to blog every day, but poets aren’t all that reliable. (They keep changing Poem in Your Pocket Day. I thought it was the 28th. It was LAST year!) so there will be gaps.
Poems, like stories, have an apparent level and an underlying, simmering one. Take for example the draft of a poem my friend Elizabeth wrote, a brave and lovely poem seemingly about her belly(which I will NOT be sharing with you. Drafts are like Vegas. And I want to still be friends with her,) yet what shimmers under the surface of the poem is an ineffable link to her mother.
A poem works when we can pull back the layers and think, ahhh, yes. For example, Billy Collins’s poem The Lanyard. What kid over fifty doesn’t remember making lanyards at summer day camp? On one level, the poem presents itself as a simple childhood memory with its gentle humour, yet we walk away realizing NONE of us has lived up to the valiant act of our mother’s giving birth to us and facing the daily grind of raising our self centered selves. The poem asks, Do we ever repay that?
So if a poem is to be successful, most of which mine aren’t, the reader will walk away with a universal question, and that question could be what sparks your own poem.
Here are the first few, very crappy lines of my response to Elizabeth's poem:
I have become my mother.
wide hips, bruise to the touch
“I can think about food and gain weight.”
Happy Writing.
Poems, like stories, have an apparent level and an underlying, simmering one. Take for example the draft of a poem my friend Elizabeth wrote, a brave and lovely poem seemingly about her belly(which I will NOT be sharing with you. Drafts are like Vegas. And I want to still be friends with her,) yet what shimmers under the surface of the poem is an ineffable link to her mother.
A poem works when we can pull back the layers and think, ahhh, yes. For example, Billy Collins’s poem The Lanyard. What kid over fifty doesn’t remember making lanyards at summer day camp? On one level, the poem presents itself as a simple childhood memory with its gentle humour, yet we walk away realizing NONE of us has lived up to the valiant act of our mother’s giving birth to us and facing the daily grind of raising our self centered selves. The poem asks, Do we ever repay that?
So if a poem is to be successful, most of which mine aren’t, the reader will walk away with a universal question, and that question could be what sparks your own poem.
Here are the first few, very crappy lines of my response to Elizabeth's poem:
I have become my mother.
wide hips, bruise to the touch
“I can think about food and gain weight.”
Happy Writing.
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