Showing posts with label YA. Show all posts
Showing posts with label YA. Show all posts

Friday, January 6, 2017

Authors on the Air



I've begun a new enhancement to my writing career. I'm still writing, but I'm now also talking to other writers on the Young Adult Cafe through Blog Talk Radio http://www.blogtalkradio.com/authorsontheairradio2

While there is a learning curve to understand the studio, research a the writer, match up time zones between the author being interviewed and me, and advertise the LIVE broadcast on social media, it's also been great fun. Writers tend to be solitary people, yet put two writers together and have them talk about writing the dialogue flows freely.

The focus of my show is authors of Young Adult, yet I also have plans for upcoming episodes where high school students discuss what they like to see in YA, the view from an editor in YA, and a panel of writers on their process.

The link above is for my show upcoming LIVE this Monday with Patty Blount at noon EST. Here are links to a few recent shows. Enjoy!

January 2, 2017 C C Hunter
http://www.blogtalkradio.com/authorsontheairradio2/2017/01/02/c-c-hunter-takes-us-live-inside-her-paranormal-world-in-the-young-adult-cafe

December 26, 2016 Beth Fehlbaum
http://www.blogtalkradio.com/authorsontheairradio2/2016/12/26/ya-author-beth-fehlbaum-visits-the-young-adult-cafe

December 19,2016 Rebekah Dodson
http://www.blogtalkradio.com/authorsontheairradio2/2016/12/19/author-rebekah-dodson-reveals-details-of-her-ya-novel-live-on-young-adult-cafe




Happy Listening

Writing.

Monday, December 5, 2016

Accolades and Aching Feet



There’s good news and bad news. I’ll begin with the bad; the publisher still doesn’t want the revision of my sequel to BREAKFAST WITH NERUDA.



But hope is not lost. The other night my feet hurt, my ego was blown from yet another of my daily catastrophes on the job (I’m not very good at my temporary part-time holiday job), and all I wanted was to take a shower to wash off the day, don pajamas and my new fuzzy robe, and let the cat purr in my lap. I poured myself a glass of cheap red wine and checked my email.

Holy crap! The same day I received the latest rejection, my editor and the public relations director both emailed me to let me know my YA novel, BREAKFAST WITH NERUDA, is listed as one New York Public Library’s 50 Best novels for teens 2016.  


It's been several days since I received the news and I’m still in a surreal state of suspension. Friends and family have all offered accolades but they have to because they love me. Strangers liked my book, strangers who read a lot of books.


Thank you, young adult librarians at the New York Public Library. You’ve made this former high school teacher/librarian’s feet ache just a little less.

Happy Reading.

Thursday, November 10, 2016

Coming Soon to a Headset Near You



http://www.blogtalkradio.com/authorsontheair/2016/08/03/jacquelyn-mitchards-summer-scribes-presents-author-laura-moe


I've been quiet on the blog front lately and here's the reason; I'm being trained for my upcoming radio show called Laura Moe Presents the YA Cafe. It will be a live call-in show part of the Authors on the Air Global Radio Network. The weekly show will comprise of me interviewing YA authors of multiple genres, readers of YA, librarians, editors, agents, and writers in general about the process. And of course audience members are free to call in with comments and questions. Some guests in my lineup include Charlaine Harris, Cat Skoor, Elizabeth Christy and Valerie Stein. It should prove to be a fun 30-40 minute podcast which will be live at 3 PM EST on Mondays beginning.....SOON. Meanwhile, if you click on the Authors on the Air link above, you can hear my editor Jacquelyn Mitchard interviewing me.

Happy Listening.

Monday, January 25, 2016

Why Do I Write YA?





When I still worked as a teacher and librarian it always saddened me to hear students say they hated to read. This was unimaginable to me. As a kid stories sustained me and were often my only friends during my family‘s frequent moves. Books were my guides to the world, a dialogue in an otherwise empty room. They were a message in a bottle.

It’s no accident I became a school librarian, English teacher, and later, a full time writer of YA. The seeds for our identities in the world are planted during middle grade and high school years. It's the first breath of independence from your parents. They may try to imprint their ideas and values on you, but during this time your personality forms its own framework.  You discover what you’re good at, what you suck at, who your friends will be, and if you’re lucky, what inner passions will drive you toward your life’s work.

I didn’t pay attention to the details of my identity, or perhaps I wanted to erase the Book Nerd stamp etched on my personality, so I wasn’t so lucky. Throughout my late teens and twenties I floundered around trying on a litany of college majors and half-assed jobs, and dating guys who, for the most part, were bad news.

Yet maybe I was lucky. These muddy side roads added layers to my experiences. Writers create alone, often sequestered in a small room in the back of their home or in a corner table in a coffee shop, but in order to create authentic work, writers also need experiences. We need to talk to people, work with our hands, know how it feels when someone breaks your heart.

In the late 80s, after finally earning my Bachelor’s degree with enough credit hours to have a PhD, I started writing. I wrote bad stories, wretched poems, and a really terrible novel. Most of that work is hidden in a file drawer. While my early work will never see daylight, to throw it out would dishonor the progress I have made. All writers start out being bad writers. Our work is derivative, filled with cliché, and often inauthentic. We haven’t learned to trust the process, to slice your heart open and bleed into the work. We get better by writing, reading, writing more, writing deeply, reading, revising, taking workshops, writing, writing, writing….

Good writing is driven by passion. I’m not talking about Harlequin romance lust, though many fine writers write romances. By the time I was thirty I realized books and words were my passions, and in quick succession earned a masters degree in library and another in writing. As a certified Book Nerd (aka school librarian and English teacher), my work opened up a new arena for writing.

Everyone has a story and writers are story magnets. If we listen, people strangers  share their heartbreaking, tender, funny, sad, incredulous, and authentic stories. They are my muses.

As a teacher my heart was further broken to hear students groan and roll their eyes when I broached the subject of poetry. To them, poets are all dead white guys who use too much flowery language and write about things that have nothing to do with their lives.

They had yet to encounter Pablo Neruda.

By teaching Neruda’s poems, my students learned “the word was born in the blood.” They were attracted to the violence in how the knife assassinates the tomato pulp and “how the sun floods the salads of Chile, beds cheerfully with blonde onion, “and parsley flaunts it little flags,” the in Ode to a Tomato.

One can't teach passion, yet my fervor for Neruda’s poems elevated my students’ concept of what poetry is, and opened the door to reading and writing poetry. It’s also no accident Pablo Neruda simmers at the root of my novel.

My characters in BREAKFAST WITH NERUDA aren't real (except to my readers and me,) yet their inception comes from an authentic place. My life experiences inform me, and allow my imaginary friends to channel their stories through me.

Digital publishing and social media have allowed everyone and his brother to easily promote their books, so a recent phenomenon for writers is to promote their ‘platform.’ Initially this concept left a bad taste in my mouth, as if I’m a product like running shoes or a bag of chips.

Platform can be defined as what we stand for or what causes we support. I believe in Pablo Neruda, poetry, books, and stories. Stories are the thread binding us together, peeling back the mysteries of our own existence.

Words are my platform.  Happy Reading!!


Sunday, June 8, 2014

Mr. Dog Bites on June 10





Amidst the cacophony of derivative, dystopian YA fiction emerges a unique and original tale in When Mr. Dog Bites, a forthcoming YA novel by Brian Conaghan. The hero of the tale is sixteen year-old Dylan Mint, a boy who attends Drumhill, or as he calls it, the ‘school for spazzies.’ His best friend, Amir suffers from mild Asperger’s and a stutter, and because he is Pakistani, is often a bully target. Dylan himself has Tourette’s, and his outbursts often get him into trouble. At the outset of the story Dylan believes he has only months to live after he overhears a conversation between his mother and a doctor, when the doc says,” life as he knows it will end in March.” Dylan begins a quest of “Cool things to do before I cack it,” which include having sex with a girl named Michele Malloy, finding a new best friend for Amir, and helping get his dad back from the war. Given these herculean tasks, Dylan’s odyssey is often funny, and ultimately transformative.

Dylan’s voice is engaging, and the diction and interior dialogue are inventive and reminiscent of Kerouac, such as “I was better off taking the hind arms off a brick wall”, [the teacher] “sometimes … treated us like a mad shower of window lickers,” [his mom’s eyes] “were like a butter knife to my heart,” and “I want to Usain Bolt out of here.” A large chunk of the book is in dialogue, and while I found most of it engaging, I missed Dylan’s interior voice.  Conaghan skillfully creates a likable, realistic character in Dylan without forcing the reader to feel sorry for him and his situation.

As an adult, and a secondary school librarian/teacher of many years, the profanity did not bother me, but this book may have a hard time finding shelf space in school libraries, which is unfortunate.  The words Dylan yells are nothing kids don’t hear in the hallways any given day, and all kids need to live inside the head of a character whose thought patterns may differ, yet still has the same human desires of love and belonging. Besides, part of Tourette’s includes involuntary eruptions of swear words. If Congahan, who acknowledges he too has Tourette’s, had sanitized Dylan’s tics and outbursts, he would lose credibility as a writer. This book can do much to clarify Tourette’s as The Curious Incident of the Dog in the Night did for Autism. YA fans of John Green, David Levithan and Kody Keplinger will enjoy When Mr. Dog Bites.



Happy Reading.