Given the precarious state of the book business, publishers
appear to be reluctant to take on projects that won’t fit neatly on the shelves,
so I am heartened by Crown Publishers for its publication of The Fifty Year
Silence: Love, War and a Ruined House in France by Miranda Richmond
Mouillot. The CIP on the verso page of the book categorizes it as a memoir, a family
story, the grandparents’ story, a biography about Jews in France as Holocaust
survivors and later, in the United
States, a guide to France itself, a tale of divorced people, and life in France
during World War II. It is all of these, and more.
At the outset, the author reveals the book “is a true story,
but it a work of memory, not a work of history.” Mouillot’s intent behind the tale is to “confront
and illuminate a shadow that haunts every family: the past.” In Mouillot’s
family the shadow is the fifty-plus year discord between her maternal
grandparents. How can they have endured the Holocaust together, but for more
than five decades afterwards, not manage to acknowledge one other’s existence?
Reader, I detect an eye roll from you, and the ensuing ‘just
what we need, another Holocaust story.’ The book’s uniqueness is in not only
how the couple survived, but how they became a couple, and why they ultimately
split apart. The saga begins long after Anna Munster, a physician and Armand Jacoubovitch,
an interpreter at the Nuremberg Trials, artfully avoid seeing or speaking to
one another after producing two children and emigrating to the United States. One
of the few things binding them is a love for Mirandali, the author and their
granddaughter.
Miranda Mouillot, born long after the war ends, has always
sensed the horrors Jews endured during the war, and as a child experiences
inexplicable terrors, until years later, a childhood friend explains that Mouillot
“comes from a family of holocaust survivors with a lot of bad memories to cope
with,” shedding light on the author’s prescience.
As a child the author imagines her mother’s parents as separate
entities, not fully comprehending that they had to have been a couple at one
time to produce her mother and uncle. She grows up with the mystique of knowing
her grandparents’ dislike of one another, yet not knowing why.
The catalyst for the author’s search for answers comes as a
result of a disagreement over ownership of a dilapidated family house in France
Ms. Mouillot wishes to inhabit as she works on her thesis. She begins a long
saga of dealing with French officials, digging through old records, and piecing
together the puzzle that links and divides her family.
Like all good tales, the protagonist sets out on a journey,
in search of what h/she hopes to find, a simple love story between her kin, only
to discover a more intricate, sometimes perilous story. Along the way, Mouillot
learns of Anna and Armand’s long, complex relationship, how each separately and
together survived the war, and how the horrors of the war prohibited them from
staying together. It is also Mouillot’s memoir, and while one love story
unravels, a new one forms.
The book lists numerous primary and secondary sources, chief
of which are her grandparents. The title
is available from Crown in January, 2015.
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