In the manuscript I’m revising there’s a scene that takes
place in Seattle’s Sculpture Park. Problem is I had not actually been to Sculpture
Park. It’s free and open 365 days a year. Other than revising, I had nothing
else on the agenda today.
Initially I planned to take the bus because 1,) my cousin gave
me some free bus passes that expire soon, and 2,) driving (and parking) in downtown
Seattle is a pain. But it was cold and rainy when I left my house this morning.
Not the most ideal weather for an outdoor excursion but I couldn’t revise my
scene any further without actually setting foot in the park.
I drove south on Highway 99 to 105th and continued
south through Ballard on Holman, which morphs into 15 th St. NW and changes
into Elliot Way. Allegedly there’s a parking garage near the park, but luckily
for me I couldn't find it. I saved myself 6 bucks by parking at The Spaghetti
Factory, which doesn't open until 4:30. It’s located right across the street
from the park entrance.
Sculpture Park resembles a boardwalk more than an actual park.
It sits right on the seawall overlooking Elliot Bay, adjacent to the Port of
Seattle. Today was damp, windy and chilly, so there were only a handful of walkers
and runners braving the weather. The surf was high and choppy, and if you stand
against the waterfront railing you feel like you’re on a boat. If I were a
runner this would be a great place to train. One gets a waterfront view, a few
cool pieces of sculpture, and ample leg room.
The sun came out as I began my walk. The entire park is a little over three miles, and I would
have trekked the whole thing, but I needed to pee and there were no bathroom facilities,
so I only walked about a mile of it and turned around and headed to the Port of
Seattle. Because it’s winter, the waterfront on Alaskan Way wasn't crawling
with tourists. Last time I was here was in summer and the crowds were so thick
it was claustrophobic outdoors.
I dipped inside the Clipper Cafe, used their restroom and
sipped a cup of coffee as I watched the cresting waves and ferries arriving and
leaving the dock.
I’m glad I made the journey; it will give my scene more
authenticity. , even though the scene itself is relatively short, it happens at
a critical moment in the plot. Now that I know how to get there and where I can
find facilities I plan to return before spring, before the crush of people spoils
the view.
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